By Frank Duke
Photos by Teddy Williams
Anticipation, hunger, timelessness, power, and restraint. Carlo Lio is known to shred dance floors and bring heat to any city. I have been waiting for this unforgettable moment ever since his last appearance in Atlanta.
I walk down the wooden staircase of The Music Room. Christian Chotro is bringing a warm driving groove that pumps through the speakers. In Atlanta, there is no question that the community of underground electronic music has any unfamiliar faces. We are family. As the crowd socializes, Christian opens up the atmosphere. Showcasing the vastness that is capable for the evening with lush melodics accompanied by ethnic percussions.
The music evolves into a dense texture. Laughter fills that air. The crowd begins to adhere into one another. Bobi ready’s himself to warm up the room for Carlo. I sense an endearment of passion, culture, and an understanding of the crowd from Bobi. He keeps the groove flowing through the speakers. He begins to warp the tonality and the atmosphere of the music. The bass-lines become more aggressive, the melodies are not so tangible, and the breaks have a strong structure of movement.
The night progresses, the crowd prepares themselves for the man of the hour. Feet are tapping, heads are bobbing, bodies are moving, the music has engulfed the dance floor. Carlo arrives and the crowd awakens with even more excitement. This man carries himself with a humble and sincere demeanor. They start cheering and clapping for him as he sets up. Carlo Lio is no stranger to techno fans from all over the world. He has played some of the most prolific venues, and frequents festivals to the likes of OFFSonar, Lovefest, BPM, Get Wet, and ADE.
I spoke with Carlo Lio briefly before his set. When he arrived to the venue, I greeted him outside with some friends of mine. We walked to an undisclosed location and start talking a bit about his career, music, travels, and personal life.
How has everything been with the New Year, recent travels, new releases, and with you?
The New Year's been great, I've had a bit of time off. I always take some time off after BPM because it’s just ten days of madness. For the New Year, I just had the release on Suara which is Coyu’s label. I also have an EP release on This and That, which is Davide Squillace's label. Then later, around March, I’ll have an EP on Art Department’s label, No.19. And yeah, that’s it for now.
How is it living in Toronto during the winter and in Barcelona during the summer? What’s the best part about it, and the not so good stuff about it?
I mean, I kind of get best of both worlds. I love my city. I’m going to live and die there. People always ask why it’s not the opposite. Obviously, in Europe the parties are always in the summer, so I need to be there. But I travel so much that I kind of boycott the winter. During the winters in Toronto is when I do South America, so that way I get to escape it.
How do you balance making music throughout your touring?
When I first started touring, I used to never make music on the road, I had to be in the studio. Lately as its been getting more busy, I had no choice but to figure out how to feel comfortable on a laptop and headphones, and now the tables are turned. It’s kind of hard for me to get comfortable in the studio now that I’m used to the laptop. It’s good, because you get some inspiration, and then you’re instantly banging out some beats. I like it.
You’re known to have a soft spot for kitties. Tell us a bit about your cats and the part they play in your life.
My first pet was a cat. My parents wouldn’t ever let us have pets. When we first got a cat, it was something very special. I found a huge love for them. Now with all the traveling I do; having cats is very convenient. I have two cats. One is named Treble and the other one is Clefy. Treble is the oldest one, and he's kind of psycho, a bit of a Jykell and Hyde personality. The other one, Celfy, is just the nicest cat in the world.
You started Rawthentic Music back in 2005, last year was your ten year anniversary! How was the journey of building up the imprint, what does the future hold for it?
Rawthentic has been a staple in my life. It actually wasn’t started by me. It was started by Nathan Barato. We’re best friends and we were a DJ duo at one point. He started it in 2005 and I jumped on board in 2006. Rawthentic is now kind of on the back burner. It’s been ten years and I feel like it's kind of ran its course. I have started a new label called On Edge Society. It's only four releases in, and it’s catered to more stripped down, chunky techno. It was vinyl only and then we moved into digital four or five months later after launching. Check it out when you get a chance.
Can you tell us about the moment you realized you wanted to make music, and what steps you took to get to where you are now?
It all stemmed from the Toronto rave scene. I was just a partier. Toronto raves were so big and in a blink of an eye they just shut down. DJing and production were just my way to fill that void. I started messing around with them both at the same time. Playing around with vinyl and messing around with any music software I could find. I kept doing that and I wasn’t really releasing anything. I was just making tracks. My friends were telling me “Oh this is good! You should do something with this." If it wasn’t for them I wouldn’t have thought to send it out. I was super nervous, and in my head it wasn't good enough. It definitely worked out.
So you like sneakers a lot. What are some of your favorite brands? How many pairs do you have?
I stick to Jordan’s. I’m a Jordan guy. I would probably say I have about 100 pairs of shoes. In terms of other brands, I like what Adidas has recently been putting out. They are on point and have turned a new leaf. But I stick to the Jordans mostly.
What are some of your New Year’s Resolutions for yourself and career? What can we expect from you in 2016?
This year I have all those releases that I told you that I have coming up. I want to show another side. In this industry. You’re put into a box very fast, there is more to me than just techno. I love all styles of electronic music. I’m planning to show that with certain labels that I’m releasing on, venture into new styles, and keep attacking new labels that I haven’t been on.
Carlo begins his journey and I make myself comfortable on the dance floor. I am ready to be swept away. I quickly become lost in the finest driving techno known to man. The room sounds pristine and powerful, a perfect match for Carlo’s style. He begins to elaborate on the dark, tech house vibe filling the air. He showcases Latin percussion elements, pounding basslines and saturated techno elements.
His set pays tribute to the theories of first wave techno with a new age flair. Sequenced melodies with atonal qualities that are contrasted with a vibrant low-end. The crowd is filled with joy as his unique and fresh style takes over. I watch his technique from a far as he utilizes Traktor and corresponding controllers. He has such an original use of effects, mixing, and track manipulation. You rarely see his hands stop moving. He is always working to bring in new track elements, while simultaneously using effects in a subtle but prominent fashion.
As the night begins to close, the crowd stays strong, soaking up as much music as they can. Carlo closes out his final statement and thanks the crowd for such a great time. We all cheer and shout for giving us an indescribable and timeless evening. After his set I thanked him for everything. He replied, “Frank, this city is really starting to catch on.” I couldn’t agree more with him more. Atlanta is my home, and watching it become on the international map for underground electronic music makes me damn proud.